research

user experiences

Raab, M.H., Muth, C., & Carbon, C.C. (2013). M5oX: Methoden zur multidimensionalen und dynamischen Erfassung des Nutzererlebens. In S. Boll- Westermann, S. Maaß & R. Malaka (Eds.), Workshopband Mensch & Computer 2013 (p. 155-164). München: Oldenburg Verlag.

interaction and emotion

Raab, M., Hesslinger, V.M., Muth, C., & Enz, S. (2012). Motion and Emotion: Using Kinect to Force Ideomotor Empathy. Proceedings of the 11th Biannual Conference of the German Cognitive Science Society – KogWis 2012, 98-99.

Raab, M., Shengelia, N., & Carbon, C.C. (2012). Towards an emotional footprint: Non-verbal analysis of emotionally processed visual stimuli via posturography. Perception, 41(Suppl.), 96.

environmental learning through interaction

Gorr, C. (2014) Changing Climate, Changing Attitudes? Museums & Social Issues, Vol. 9 No. 2, October, 2014, 1–15

Gorr, C. (2013) The Power of Objects. The role of interactives for learning in the „History of Life“ Gallery at the Finnish Museum of Natural History. Informal Learning Review 5/2013.

Gorr, C. (2013) How to make climate science cool science, workshop at the Helsinki Climate Forum: Arctic Urgency (28.9.2013).

art perception

Muth, C., Raab, M. H. and Carbon, C. C. (2015). The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the continuous evaluation procedure (CEP). Frontiers in Psychology 6(365). doi: 10.3389/fpsyg.2015.00365

Muth, C., Hesslinger, V., & Carbon, C. C. (2015). The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity and the opportunity for insight affect appreciation. Psychology of Aesthetics, Creativity, and the Arts, 9(3), 206-216.

Muth, C., Pepperell, R., & Carbon, C. C. (2013). Give me gestalt! Preference for cubist artworks revealing high detectability of objects. Leonardo, 46(5), 488-489.

the pleasure of insight

Muth, C., Raab, M. H. and Carbon, C. C. (2015). The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the continuous evaluation procedure (CEP). Frontiers in Psychology 6(365). doi: 10.3389/fpsyg.2015.00365

Muth C., Carbon, C. C. (2013). The Aesthetic Aha: On the pleasure of having insights into Gestalt. Acta Psychologica, 144(1), 25–30.

Muth, C. (2010). The pleasure of enacting meaning: Aesthetic perception and pretend play. In M. Bohanec, M. Gams, & V. Rajkovic (Eds.), Proceedings of the 13th International Multiconference Information Society: IS 2010. Ljubljana.

conspiracy theories

Raab, M., Auer, N., Ortlieb, S. & Carbon, C. C. (2013). The Sarrazin effect: the presence of absurd statements in conspiracy theories makes canonical information less plausible. Frontiers in Personality Science and Individual Differences.

Raab, M., Ortlieb, S., Guthmann, K., Auer, N., & Carbon, C. C. (2013). Thirty shades of truth: Conspiracy theories as stories of individuation, not of pathological delusion. Frontiers in Personality Science and Individual Differences.

arts initiatives

Gorr, C. et al. (2003) Auf offenem Gelände. Sieben Künstlerinnen und Künstler aus Norwegen in Berlin, in Brockmann J. und Scholz F. (Hg.) norrona Zeitschrift für Kultur, Geschichte und Politik der nordischen Länder (Sonderheft).